Other articles where Lucio Silla is discussed: Wolfgang Amadeus Mozart: The Italian tours: Lucio Silla (“Lucius Sulla”), the new opera, was given on December 26, 1772, and after a difficult premiere (it began three hours late and lasted six) it proved even more successful than Mitridate, with 26 performances. Cecilio then returns in secret from exile to Rome to reclaim Junia. The people of Rome celebrate liberty and the greatness of Silla. Cinna resolves to kill Silla himself (aria: "Nel fortunato istante"). Would you like Wikipedia to always look as professional and up-to-date? Giunia refuses, stating that vengeance is for Heaven alone to consider. Cinna advises Cecilio to meet Giunia by the tomb of her father (murdered hero Gaius Marius). Giunia refuses, stating that vengeance is for Heaven alone to consider. She asks Cinna to make sure that Cecilio stays hidden from danger (aria: "Ah se il crudel periglio").Cinna resolves to kill Silla himself (aria: "Nel fortunato istante").Silla's love for Giunia starts to bring out his compassion.Giunia's hateful face angers him again and he threatens her with death but not to die alone (aria: "D' ogni pieta mi spoglio").With Cecilio, Giunia worries about Silla's words and they part.Celia asks Giunia to accept Silla's proposal for the sake of happiness saying she is also to be married to Cinna (aria: "Quando sugl' arsi campi").Silla asks the Senate and the people of Rome to reward him as a hero of Rome with the marriage to Giunia.When Cecilio appears, there is confrontation (trio: "Quell' orgoglioso sdegno").Cecilio has been imprisoned. When Cecilio appears, there is confrontation (trio: "Quell' orgoglioso sdegno"). What we do. Alone, Silla, insulted, decides to behave as a tyrant (aria: "Il desìo di vendetta, e di morte"). With Cecilio, Giunia worries about Silla's words and they part. Silla issues his "punishment" to Cinna that he should marry his beloved Celia. The story concerns the Roman dictator Lucio Silla (Lucius Sulla) who lusts after Giunia, the daughter of his enemy Caius Marius. He explains that he has seen proof that innocence and a virtuous heart is triumphant over power and glory.
He began working on "Lucio Silla" in late 1772, while on his third trip to Italy. Giunia, on the other hand, loves the exiled senator Cecilio. Giunia consults with Cinna who suggests she accept Silla's proposal and then murder him in their wedding bed. Cinna advises Cecilio to meet Giunia by the tomb of her father (murdered hero Gaius Marius). Silla asks the Senate and the people of Rome to reward him as a hero of Rome with the marriage to Giunia.
Lucio Silla premiered on 26 December 1772 in Milan at the Teatro Regio Ducal. Act 1. When questioned on his silence, Cinna declares his hatred of Silla and his intention of killing him. Junia, daughter of Sulla's defeated enemy Marius, rejects Sulla's advances at all costs.
Oper von Wolfgang Amadeus Mozart.
Cecilio is filled with joy at the idea and Cinna shares his joy and predicts the freedom of Rome (aria: "Vieni ov' amor t' inita"). However, he is caught and sent to prison. On Silla's approach, Giunia declares her love for Cecilio and her hate for Silla, her father's enemy (aria: "Dalla sponda tenebrosa"). We have created a browser extension. Cecilio has been imprisoned.
Celia asks Giunia to accept Silla's proposal for the sake of happiness saying she is also to be married to Cinna (aria: "Quando sugl' arsi campi"). The story concerns the Roman dictator Lucio Silla (The exiled Senator Cecilio meets his friend Cinna who tells him his betrothed Giunia mourns his death, a lie by the dictator Silla so that he can win her for himself. The Teatro Real began the special season of 2017/18 which marked 200 years since it was founded and 20 years since its reopening. Im Jahr 1772 schreibt Mozart als 16-Jähriger in nur wenigen Monaten seine zweite Opera Seria als Auftragswerk für das von Habsburg regierte Mailand. Cecilio excited at the prospect of meeting his betrothed sings of his love (aria: "Il tenero momento"). It was an opportunity to present important works from the history of opera which had never been seen on its stage, and to revive others already performed here.